Transform your creative future with an MFA in Print Media + Photography at Boston University
Join Boston University’s Master of Fine Arts in Print Media + Photography program and experience a cutting-edge curriculum that will prepare you for success in the visual arts. On-campus and full-time.
THE ESSENTIALS
60-credit program
2-year full-time
Professional
studio facilities
Industry partnerships




Program Highlights

Innovate Across Print Media
Imagery is the driving force in modern communication. The Master of Fine Arts in Print Media + Photography at Boston University will teach you to…
See and think more critically about your work, tools, and materials
Deeply engage in and master technical training in printmaking and photography to support creative growth
Develop a distinct personal vision evident in studio work
Gain a command of professional-level studio protocols and professional practice in making and understanding images in the 21st century
Understand the history of the photography and print form in Western and other civilizations
Communicate and achieve a coherent set of artistic/intellectual goals as an independent professional
Communicate persuasively in spoken and written language about your own and others’ artwork
STUDENT SPOTLIGHT
Question Assumptions


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Explore Yourself, Your Work, Your World
The MFA in Print Media + Photography program will challenge you to delve deep into your practice, pushing boundaries and fostering innovation. Through interdisciplinary exploration of printmaking and photography, you’ll be encouraged to experiment, research, and discover new artistic possibilities.
The program offers a wide range of courses that address critical analysis of content and context as well as technical ability.


Studio Facilities
As a graduate student in the Print Making + Photography MFA, you’ll have 24-hour access to an exceptional array of shared and personal studio spaces.
Outstanding printmaking facilities include studios for:
- Etching
- Lithography
- Silkscreen
- Bookmaking
- Letterpress
- Digital print
The MFA provides:
- Multiple digital labs with current Adobe software dedicated to printmaking and photography
- Black and white darkrooms that support 35 mm to large format printing
- 35 mm and large format film cameras and digital medium format equipment for graduate student use only
- Lighting kits and studio access
Additional facilities available to graduate students include:
- fully equipped woodshop
- welding shop
- ceramics facilities
- digital media studios including vinyl cutters
- three-color RISO printer with a large array of color drums for limitless color potential
Students also have access to BU’s Engineering Product Innovation Center (EPIC), an impressive 15,000-square-foot, multi-million dollar engineering and manufacturing facility. This state-of-the-art facility features everything from laser etching to rapid prototyping, allowing designers to collaborate with engineering staff and students to see their projects through all stages of hands-on production.
Collections + Services
The Visual Arts Resource Library is a non-circulating collection of books, exhibition catalogues, directories, magazines, and sound and video recordings available for SVA students and faculty. New books are added annually, and acquisition recommendations are always welcome. In addition to housing an over 6,000-volume reference collection, which includes many rare and unique items.
The Visual Arts Resource Library’s digital resources include Apple desktop computers fully loaded with the Adobe Creative Cloud, a large-format digital scanner, and a tabletop copy stand for documenting work. A collection of digital equipment, including digital cameras, projectors, audio recording equipment, lighting kits, and more, are available for short-term loans to SVA students and faculty.
The Karl Fortress Audio Archive is a resource developed by Karl Eugene Fortess (1907–1993), a painter and printmaker who headed the School of Visual Arts printmaking department from 1956 to 1973. Beginning in the early sixties, he undertook a major artist interview project, creating 269 recordings with prominent American artists. These interviews are available for students to borrow from the library on mp3 players. The list of interviews in the library’s collection includes many prominent American artists of the twentieth century, among them Romare Bearden, Thomas Hart Benton, Louise Bourgeois, Helen Frankenthaler, Philip Guston, Alex Katz, Jacob Lawrence, Jack Levine, Robert Motherwell, and Alice Neel.
Also available to MFA students are:
The Howard Gotlieb Archival Research Center, which captures and documents history by collecting the manuscripts from individuals who play a significant part in the fields of journalism, poetry, literature and criticism, dance, music, theater, film, television, and political and religious movements.
The Boston University Center for Antiracist Research, whose mission it is to convene researchers and practitioners from various disciplines to figure out novel and practical ways to understand, explain, and solve seemingly intractable problems of racial inequity and injustice.
Learning Outcomes
After finishing your MFA in Printmaking + Photography, you’ll be able to display:
- Ability to communicate in spoken and written language
- Exemplary professional-level knowledge and skills
- A personal vision evident in your work
- Conceptual acuity and creative virtuosity at multiple levels of complexity
- Technical virtuosity
- Conceptual and technical command of integration and synthesis
- Command of appropriate professional level studio protocols and professional practice
- Exceptional understanding of the history of the art form (the disciplines of photo and print, and their historical contexts) in Western and other civilizations
- A coherent set of artistic/intellectual goals and the ability to achieve these goals as an independent professional
- Ability to form and defend defined judgments of one’s own work and others’
International Study
Students will have the unique opportunity to embark on international study tours that blend the art of printmaking with photography. These immersive experiences provide direct, hands-on learning and invaluable networking opportunities with industry professionals, offering insights and connections that cannot be replicated within traditional studio or classroom settings.
Funding Options
BU’s MFA in Graphic Design offers various funding options to help you manage tuition and associated costs:
Lower Tuition Rates for CFA Students: The program benefits from reduced tuition rates compared to standard BU tuition, as part of the university’s support for the College of Fine Arts.
Scholarships and Financial Aid: Merit-based scholarships are available to MFA students. Additional financial aid options may include teaching and graduate assistantships, as well as multiple federal funding opportunities.
Work Opportunities: Students can explore paid opportunities through BU’s resources, such as internships for credit or collaboration on faculty-led projects. Teaching assistantships are available for numerous undergraduate courses, and Graduate Assistantships are also available in the BU Art Galleries and in numerous facilities in the School of Visual Arts during the first and second year.
Are you passionate about printmaking and photography?
The Print Media & Photography MFA is a 60-credit interdisciplinary program that exists within the space between printmaking and photography. In just 4 semesters, you’ll dive deep into the world of printmaking and photography, exploring both traditional and contemporary techniques, and complete a thesis composed of an exhibition, paper, and project.

What can you expect?
Hands-on Learning: Immerse yourself in our state-of-the-art studios and experiment with a wide range of media.
Global Experiences: Embark on international study tours to expand your horizons and connect with artists from around the world.
Critical Thinking: Develop a strong theoretical foundation and learn to analyze and interpret visual culture.
Professional Development: Gain the skills and knowledge to succeed as a professional artist, including portfolio development, grant writing, and curatorial practices.
By the end of the program, you’ll emerge as a well-rounded artist with a strong body of work and the ability to articulate your ideas effectively.
FACULTY SPOTLIGHT
Our philosophy is one of experimentation
Lynne Allen is the Chair of Print Media + Photography. Her work has been exhibited widely nationally and internationally and is included in collections at the Whitney Museum of American Art, the Museum of Modern Art Library, the New York Public Library, New York; the Corcoran Gallery of Art, the Library of Congress, Washington, D.C and the Victoria & Albert Museum, London, among others.
Her honors include two Fulbright Scholarships (USSR 1990, Jordan 2004-05), two Andrew W. Mellon Foundation Research Grants, a New Jersey State Council on the Arts Grant, a Pennsylvania Council on the Arts Grant, and a Diploma Award Tallinn International Print Biennial. She is a Prilla Smith Brackett Award finalist.

“I think the ideal applicant is someone who is really interested in finding out about themselves, what work they admire, why they admire it, how it connects with them. (The program) is much more for that person who really wants to explore all the things that interest them and (can use) the resources of personnel and archives to help support it.”
Lynn Allen